Jessica Stam for Rachel Roy

Jessica Stam is adding another talent to her resume. Best known as a model, Stam will be putting pen to paper and designing a capsule collection as a part of the Rachel by Rachel Roy diffusion line. Stam's collection will be small containing jeans, cardigan and a bag. Her work will be unveiled in September at New York Fashion Week, one month before it debuts in Macy's in October.

MAC Cosmetics - A/W '10 Recap

M·A·C COSMETICS’ BIGGEST SEASON EVER: FALL/WINTER 2010 FASHION WEEKS



This Fall/Winter 2010 season marked the 15th Anniversary of M·A·C Cosmetics involvement in New York Fashion Week and our impact in London , Paris and Milan was bigger than ever before! M·A·C Cosmetics supported nearly 200 shows during the Fall/Winter 2010 Collections. M·A·C continued as the official sponsor of London Fashion week, had a strong presence in Milan and Paris, and hosted shows, events and presentations at M·A·C & Milk and throughout New York.



Fall/Winter 2010 was an inventive and inspiring season for beauty. This season, Makeup Artists asked the question: “What is luxurious makeup?” The answer was not opulence, but, rather, a sense of individual enhancement based in reality. Lyne Desnoyers, Director of Makeup Artistry for M·A·C, called it “flirting with luxury on a contemporary face.”



A few memorable products that created the latest trends include:



M·A·C Opulash This new mascara with a supersized brush produced plush, extravagant lashes on the runway. Adding dramatic volume and curl, it formed lush lashes - bigger, badder, more opulent eyes. Opulash was key in such shows as DSquared2, Blumarine, Max Mara and Chado Ralph Rucci.


M·A·C Prolongwear SPF 10 Foundation: Creamy and lightweight, this yet-to-be-introduced foundation was a hit! Providing ample playtime and easy blending, it also demonstrated 15-hours of wearability and garnered raves backstage at Chado Ralph Rucci, PORTS 1961 and Timo Weiland.


M·A·C Eye Kohl in Smolder A backstage essential, Smolder Eye Kohl lined lids throughout all four cities. Its creamy texture and versatility allowed for smudged, smokey looks as well as dramatic, etched dark definition. It framed eyes at such shows as L.A.M.B., Zac Posen, Tadashi Shoji and Vivienne Westwood Gold Label.


M·A·C Lip Pencil in Cherry: Forget subtlety – this season, bold, bright lips were front and center. Lip Pencil in Cherry was the crucial ingredient, forming, priming and making colour come forward. Paired most often with Lady Danger and Russian Red Lipsticks, it was seen at DSquared2, Doo.Ri, Donna Karan and Moschino.

A/W '10 MAC Cosmetics Face Charts February 18th

Eyes:
Eye Shadow in Vanilla – washed over the eyelid and into the crease of the eye
Select Cover-Up Concealer – applied to the lashes and brow to mute natural colour
FACE :
Select Cover-Up Concealer and Careblends Essential Oil – blended together
and applied to the skin
Prep + Prime Transparent Finishing Powder – dusted onto the skin to set the foundation
Cream Colour base in Pearl – lightly brushed along the cheekbones to contour
Lip:
Lip Pencil in Soar and Oak – blended together and smudged into the lip
Powder Blush in Tenderling – applied onto the lip to give a soft, matte finish




Eyes:
Mascara X in Black X – applied to the top and bottom lashes
Powerpoint Eye Pencil in Grey Utility – penciled onto the inner waterline
Lip Treatment – dabbed onto the eyelid using fingertips
FACE :
Face and Body Foundation and Strobe Liquid – blended together
and applied to the skin
Eye Shadow in Nylon – applied to the highest point of the cheekbone in
the shape of an upside down L to highlight
Lip:
Lip Conditioner SPF 15 – dabbed onto lip to moisturize



Eyes:
Eye Kohl in Powersurge and M·A·C Pro Cream Colour Base in Dark Brown
– penciled and blended into the eyelid and under the lower lash line
Studi o Finish Skin Corr ector in Deep Br own – applied and blended into
the eyelid and under the lower lash line
Crème Liner in Black – penciled very thinly along the top
lash line and the outer corner of eye
Gloss Texture – dabbed and blended below the lower lash line
FACE :
Studio Sculpt SPF 15 Foundation – applied to the face for a light coverage
Lipstick in Diva and Russian Red – blended and applied to the apple area of the cheek
Lip:
Lipstick in Cunning – applied to the lip

A/W '10 MAC Cosmetics Face Charts February 17th

Eyes:
Eye Shadow in Vanilla and M·A·C Pro Pigment in White – layered onto the eye lid
Eye Pencil in Ebony and Fluidline in Blacktrack – applied pencil thin below the lower lash line and
along the crease of the eyelid, winged out and connected to the outer corner of the eye
Eye Shadow in Carbon – layered over the eyeliner to set
FACE:
Face and Body Foundation – applied to the entire face
Sculpting and Shaping Powder – applied to the cheekbones to contour
Lip:
Lip Erase in Dim – pressed into the centre of the lip with the fingertip to mute the natural colour
Lip Pencil in Stripdown – penciled around the mouth for an overdrawn , fuller lip
Lipstick in To Pamper (Available Fall 2010) – lightly washed over the lip



Eyes:
Cream Colour Base in M·A·C Pro Dark Brown – applied under the eye ,
into the crease of the eyelid and at the top of the lash line
and blended with a M·A·C 252 Brush
Gloss Texture – dabbed onto the eyelids
FACE:
Studio Finish Concealer– applied where needed
Blot Powder – used to set the foundation and give the skin a matte finish
Studio Finish Concealer in NC50 – applied to the cheekbones to
contour using a M·a·c 190 Brush
Lip:
Lipstick in Charred Red and Eye Shadow in Carbon – blended together
and applied, with more intensity in the centre of the lip

Victoria Beckham A/W '10 Dress Collection

As I am sure you all know by now, I love Victoria Beckham. She is the definition of fabulousity. I am so happy that she designs now, because her work is so great. Her dresses are chic, classy and best of all, classic. Her A/W ’10 collection did not disappoint fashion lovers at New York Fashion Week this year. I have picked out a few from her collection that I absolutely love.

A/W '10 MAC Cosmetics Face Charts February 16th

Eyes:
Eye Shadow in Quarry - applied under the eye and to the eyelid
and diffused up to the brow using a M·A·C 213 Brush
Eye Shadow in Silver Ring - layered over the Quarry
Pigment in Pink Opal - applied to the outer brow bone to highlight
FACE:
M·A·C Pro Face and Body Foundation in White - applied all
over the face for a pale, sheer finish
Eye Shadow in Quarry - lightly washed across the jaw-line to sculpt and contour
Pigment in Kitchmas - pressed into the cheekbone to highlight
Lip:
Lipstick in Hipster - applied all over the lips and blotted
Lipstick in DuBonnet - layered softly over Hipster onto the centre of the lip



Eyes:
Lip Pencil in Stripdown – penciled and blended into the crease of
the eyelid and below the eye using a M·A·C 194 Brush
Iridescent Powder in Silver Dusk and M·A·C Pro Studio Finish Face Powder in Gold
– blended together using Mixing Medium Water Base and applied along the top and
bottom lash line and blended into the Stripdown Lip Pencil
FACE:
Face and Body Foundation – applied as needed
Blushcreme in Posey and Laid Back – applied to the apples of the cheek
Cream Colour Base in Shell – layered onto the top of the cheekbones
Lip:
Lipstick in Amorous – pressed into the lip with the fingertip to create a lip stain



Eyes:
Fluid line in Blacktrack – layered along the upper
and lower lash line and winged out
Eye Kohl in Smolder - penciled into the upper and lower lash line
FACE:
SELECT MoistureCover Concealer – applied where needed
Lip:
Lipstick in Fleshpot and Myth – blended together and
pressed into the lip with fingertip

A/W '10 MAC Cosmetics Face Charts February 15th

Eyes:
Eye Pencil in Smolder - applied and smudged around the
waterline of the eye using a M·A·C 239 Brush
Studio Fix Lash Mascara in Black Fix - applied to top and bottom lashes
Creme Liner in Black and Mixing Medium Water Base - placed horizontal
strokes in the crease of the eyelid and the same below
the eye with stronger strokes in the centre
FACE:
Face and Body Foundation - applied to entire face
Studio Finish Skin Corrector - applied where needed
Cream Colour Base in Shell - applied to the centre of the cheekbone
Lip:
Lipstick in Hipster - applied all over the lips and blotted
Lipstick in DuBonnet - layered softly over Hipster onto the centre of the lip



Eyes:
Lip Pencil in Nightmoth - penciled and blended along
the rim of the eye and the crease of the eyelid
M·A·C Pro Eye Shadow in Indian Ink - washed across the crease
of the eyelid and around the upper and lower lash line
Eye Shadow in Vibrant Grape - layered onto the eyelid and crease of the eye
Mineralize Eye Shadow (Duo) in My Dark Magic (Available Fall 2010) - brushed onto
the eyelid and into the crease of the eye
Zoom Mascara in Zoomblack - applied to top and bottom lashes
FACE:
Face and Body Mixing Medium - applied to the entire face
Blot Film - to blot any excess shine
Mineralize Foundation SPF15 - layered over the Mixing Medium
Prep + Prime Transparent Finishing Powder - lightly brushed over
the skin to set the foundation
Lip:
Lipglass in Docile (Available Fall 2010) - applied to the lip




Eyes:
M·A·C Pro Cream Colour Base in Airforce Blue - applied to the crease of the eyelid
Lip Treatment - dabbed onto the eyelid for shine
Eye Kohl in Fascinating and Eye Pencil in Fleshtone - penciled into
the waterline of the eye
FACE:
Face and Body Foundation - applied to the entire face
Select Cover-Up Concealer - applied where needed
Lip Treatment - dabbed along the cheekbone to highlight
Lip:
Lip Pencil in Cherry - lining the lip to give a defined shape to the mouth
Lipstick in Ruby Woo and M·A·C Pro Lipmix in Burgundy
- blended together and applied to the lip



Eyes:
Studio Sculpt SPF 15 Foundation - brushed through the lashes with
a mascara wand to mute the natural colour
FACE:
Fast Response Eye Cream - applied below the eye
to moisturize and refresh the skin
Studio Sculpt SPF 15 Foundation - applied to the skin
to create a flawless matte finish
Prep + Prime Transparent Finishing Powder - brushed over
the skin to set the foundation
Lip:
Lip Erase in Dim or Pale - applied to the lip to mute the natural colour



Eyes:
Eye Kohl in Teddy - penciled into the inner corner of the eye
Paint Pot in Quite Natural - applied to the eyelid and blended up into the brow
Zoom Fast Masca ra in Zoomblac k - brushed through top and bottom lashes
FACE:
Full Coverage Foundation and Strobe Cream - blended to gether
and applied to the entire face for a sheer finish
Paint Pot in Quite Natural and Blushcreme in Brit Wit
- washed over the cheekbone to contour
M·A·C Pro Cream Colour Bae in Madly Magenta - brushed through
the cheekbones and temple to highlight face
Lip:
Lip Penci l in Spice - penci led lightly onto the bottom lip line
and softly blended with the fingertips
Lip Conditioner - dabbed onto the lips to moisturize
Lipglass in Jealous - applied to the lip

Herve Leger Fall 2010

Yum.

via Monica Rose

A/W '10 MAC Cosmetics Face Charts February 14th

Eyes:
Pearlglide Intense Liner in Black Line (Available April 2010) – smudged into
the eyelid and the lower lash line
FACE:
Face and Body Foundation – applied to the entire face for a light, sheer finish
Prep + Prime TRANSPARENT FINISHING Powder – lightly brushed over the foundation to set
Powder Blush in Fleur Power, Prism or Mocha – brushed across
the cheekbones to contour
Lip:
Lip Conditioner (Tube) – applied to the lip for moisture




Eyes:
Cream Colour Base in Tint, Dusk (Pro Only) and Fawntastic - applied to
the inner brow corner where needed
Techna kohl Eye Liner in Plank - used to line the lower lash line
FACE:
Full Coverage Foundation and Strobe Cream - blended together and
applied to entire face for a sheer coverage
Lip:
Lipstick in Lady Danger - applied inside the natural
lip line for an angular shape




Eyes:
M·A·C Pro Crème Liner in Black – applied to the eye area, eyelid to brow bone
M·A·C Pro Pigment in Corn Flower – brushed out from the inner eye corner
on the upper lash line using a M·A·C 213 Brush
M·A·C Pro Pigment in Steel Blue – brushed out from the inner eye corner
on the lower lash line using a M·A·C 213 Brush
M·A·C Pro Glitter in 3D Silver – layered over the pigment in the
inner corner of the eye
Zoom Lash Mascara in Zoomblack – copiously applied to the lash
Ey e Kohl in Smolder – to line the lower inner rim of the eye
FACE:
Studio Sculpt Foundation – applied to the entire face,
for natural yet flawless skin
SELECT MoistureCover Concealer – applied where needed
Shading Powder in Sculpt and Lightsweep – lightly brushed along
the cheekbones and temple area
Prep + Prime Transparent Finishing Powder – swept across the skin
to set the foundation for a matte face
Lip:
M·A·C Pro Lip Erase in Dim – applied to the lip



Eyes:
Lipstick in The Prowl (Available Fall 2010) – washed over the eyelid
with a M·A·C 217 Brush for a shiny texture
Lip Conditioner (Tube) – dabbed into the inner corners of the eye to highlight
FACE:
Careblends Essential Oil – massaged into the skin
Mineralize All-Over Lotion and Stud io Moisture Tint Foundation
– blended to gether and applied to the entire face for a dewy skin finish
Lipstick in Kittenish (Available Fall 2010) – dabbed onto the cheeks with
fingers and massaged along the cheekbone
Lip:
Lipstick in Kittenish (Available Fall 2010) – sparingly appllied to
the inner lip with the point of the lipstick

A/W '10 MAC Cosmetics Face Charts February 13th

MAC addicts, here are more face charts for you to try out from NYFW February 13th...

Eyes:
Studio Sculpt Concealer – applied over the eyelid
Set Powder in Invisible – powdered over the
eye area to set concealer
Pigment in With Legal – swept over the concealed eyelid from
lash to brow and in the inner eye corner
Irid escent Powder in Silver Dusk – lightly applied to the inner
eye corner and under the brow bone
Studio Fix Lash – applied to top and bottom lash
FACE :
Studio Sculpt SPF Foundation– applied all over the face
Set Powder in Invisible – brushed over the skin to
set the foundation for a matte finish
Irid escent Powder in Silver Dusk – light ly brushed on cheekbones
Lip:
Lip Pencil in Currant – lined around the natural shape
of the mouth , for perfect lip definition
Lipstick in Kittenish – applied all over lip with a M·A·C 242 Brush
Mineralize Eye shadow Duo in My Dark Magic – lightly applied
over lipstick with fingertips



Eyes:
Eye Shadow in Soba – lightly washed over the eyelid
Gloss Texture - layered onto the eye shadow to add shine
FACE :
Face and Body Foundation – lightly buffed onto the entire face
Prep + Prime TRANSPARENT FINISHING POWDER – Brushed across the entire face
to set the foundation for matte skin
M·A·C Pro Sculpting Powder in Sculpt– lightly brushed onto
the cheekbones to contour
Pigment in Vanilla and White (Pro On ly) – layered over the sculpt powder
to the cheekbones to hi ghlight
Strobe Liquid – dabbed onto the cheekbones and above the eye to highlight the skin
Lip:
Lip Pencil in Ch erry – lined off the natural shape of th e lip
and filled in for a slightly rounder mouth
Pigment in Red – layered onto the lip pencil to matt e the lip


Eyes:
Face and Body Foundation – applied to the eyelids using fingertips
M·A·C Pro Set Powder in Invisible – brushed over the eyelid
after using Face and Body Foundation
Iridescent Powder in Silver Dusk – lightly brush edall over
eye area using a M·A·C 224 Brush
FACE :
Face and Body Foundati on – applied to the face and neck
usin g fingertips to give a matte, light coverage
M·A·C Pro Sculpting Powder in Shadowy – lightly brushed below the
cheekbone using a M·A·C 116 Brush to contour the cheeks
M·A·C Pro Set Powder in Invisible: lightly applied to entire face to set
Lip:
Lip Pencil in Cherry – lined around the edges of the lip
Matt e Lipsti ck in Ruby Woo – dabbed over the entire lip for full coverage
M·A·C Pro Glitter in Turquoise – gently brush ed over the entire lip with a wet brush
M·A·C Pro Glitter in 3D Silver – applied to the centre of the lip



Eyes:
Eye Kohl Pencil in Smolder – penciled along upper
lash line and smudged into eyelid
Lipglass in Fancy Cat (Available Fall 2010) – applied and smudged
into the eyelid up to the brow bone
Lipstick in Kittenish (Available Fall 2010) – smudged under the eye as liner
M·A·C Pro Studio Fix Mascara in Black Fix – applied to curled lashes
FACE :
Careblends Essential Oils – massaged into the face for dewy skin
Studio Sculpt Foundation – applied to the entire face for full coverage
Blot Powder Loose – to set the foundation for a smooth finish
Lip:
Lip Conditioner SPF 15 – blotted down and covered
with foundation to give a nude, minimal lip

Eyes:
M·A·C Pro Cream Colour Bas e in Mid-tone Sepia and Paint Stick in Deep Brown
– blended together and applied to the eyelid and under the eye
Studio Finish Skin Corrector in Terra cotta – dabbed into the crease of
the eyelid and under the lower lash line
Gloss Texture – layered over cream colour base all over the eyelid
Chromaline in Black – lining the upper lash line and the outer corner of the eye
FACE :
Select Moisturecover Concealer – applied where needed
Lip:
Left bare

A/W '10 Mac Cosmetics Face Charts February 12th

If you are like me, you have been drooling over all of the amazing A/W 2010 collections. An important part of these shows is also the amazing work done by the make-up artists. Below are a few face charts done by MAC Cosmetics artists that you can replicate.

EYES:
LEFT BARE
FACE:
STUDIO MOISTURE TINT – BUFFED WITH BRUSH AND
APPLIED TO THE SKIN WHERE NEEDED
STROBE CREAM – APPLIED WITH FINGERTIPS TO THE SKIN WHERE NEEDED
LIP:
MATTE LIPSTICK IN RUSSIAN RED AND LADY DANGER – LAYERED ONTO THE LIP
LIP PENCIL IN REDD – APPLIED AROUND THE SHAPE OF THE UPPER LIP
AND SLIGHTLY OVERDRAWN AT THE LOWER LIP LINE

EYES:
EYE SHADOW IN PINK FREEZE – BRUSHED ALONG THE LOWER LASH LINE
EYE SHADOW IN QUITE SPOILED (AVAILABLE FALL 2010) – SOFTLY APPLIED
TO THE CREASE OF THE EYELID
EYE SHADOW IN BEAUTIFUL IRIS AND QUITE SPOILED– LAYERED AND WINGED OUT
HORIZONTALLY FROM THE OUTER CORNER OF THE EYE
FACE:
STUDIO MOISTURECOVER CONCEALER – APPLIED TO THE NOSE,
EYELIDS AND UNDER THE EYES, FOR A SATIN FINISH
BLOT POWDER – DABBED INTO THE SHINE AREAS
MINERALIZE SKINFINISH NATURAL – BRUSHED ALONG THE CHEEKBONES AND TEMPLES TO CONTOUR
THE FACE
LIP:
M·A·C PRO CREAM COLOUR BASE IN PINK – DABBED ONTO THE CENTRE OF THE LIP

EYES:
PIGMENT IN GOLDEN LEMON – APPLIED WET ONTO THE EYELID
FIX+ - BLENDED WITH THE PIGMENT TO ACTIVATE THE COLOUR
M·A·C PRO PIGMENT IN WHITE – PRESSED INTO CENTRE OF THE EYELID
GLITTER IN REFLECTS GOLD – PRESSED OVER THE PIGMENT IN WHITE
INTO THE CENTRE OF THE EYELID
FACE:
SELECT COVER-UP CONCEALER – APPLIED WHERE NEEDED
STROBE CREAM – USED AS A HIGHLIGHTER ACROSS THE CHEEKBONES, BROW
AND ABOVE THE LIP FOR A LUMINOUS, SATIN FINISH
LIP:
LIP CONDITIONER – MATTED TO PRODUCE A NATURAL, WINTER LIP

EYES:
PIGMENT IN PLATINUM – APPLIED WET ONTO THE EYELID
FIX+ - BLENDED WITH THE PIGMENT TO ACTIVATE THE COLOUR
M·A·C PRO PIGMENT IN WHITE – PRESSED INTO CENTRE OF THE EYELID
GLITTER IN REFLECTS SILVER – PRESSED OVER THE PIGMENT IN WHITE
INTO THE CENTRE OF THE EYELID
FACE:
SELECT COVER-UP CONCEALER – APPLIED WHERE NEEDED
STROBE CREAM – USED AS A HIGHLIGHTER ACROSS THE CHEEKBONES, BROW AND
ABOVE THE LIP FOR A LUMINOUS, SATIN FINISH
LIP:
LIP CONDITIONER – MATTED TO PRODUCE A NATURAL, WINTER LIP

A/W MAC Cosmetics Face Charts February 11th

As I am sure you know, New York Fashion week is under way and MAC is getting the models gorg and ready to rip the runway. Here are two looks from yesterday's runway shows: Vena Cava and L.A.M.B.

Eyes:
M·A·C Pro Powder Blush in Taupe – Softly brushed
along the crease of the eyelid
Style Predator Eye Shadow – Brushed over
the whole eyelid
M·A·C Pro Shine Wax – App lied over the
eye shadow on the eyelid
M·A·C Pro Lash in Black – App lied only
to the upper eyelashes
FACE:
Select Cover-Up Concealer – App lied to
the skin as foundation
M·A·C Pro Cream Colour Base in Bronze and Mid-tone Sepia
– Brushed across forehead and cheekbones for
a slightly windblown effect
M·A·C Pro Shine Wax – Applied over the Cream Colour Base
across the bridge of the nose to give a dewy finish
Lip:
Lipmix in Red – Applied to the natural shape of the lip,
to give a sophisticated, matte mouth

Eyes:
Eye Kohl in Smolder and Fluidline in Blacktrack
- blended and smudged around and into the eyelid
for a feline-shaped eye
Lip Treatment – dabbed on eyelid over eye kohl
for a wet look effect
FACE:
Face and Body Foundation - Applied all over
face to give pale, doll-like skin
Lip:
Lipmix in Crimson (PRO only) and Burgundy – Blended
together and applied to the lip
Lip Pencil in Burgundy – app lied around the lip to give
an over-drawn shape to the mouth

NYFW September 15th - MAC Cosmetics Face Charts

PROENZA SCHOULER
“IT’S A MUTED LOOK WITH TOMBOYISH SQUARE BROWS, A BIT OF
CONTOURING AND A LITTLE NATURAL DISCOLOURATION LEFT UNDER
THE EYES FOR A BIT OF A GRUNGY FEEL.”
DIANE KENDAL


EYE
OMEGA, COQUETTE, OR MYSTERY EYE SHADOW – BRUSHED
THROUGH BROWS ONE SHADE DARKER THAN NATURAL HAIR COLOUR
TO CREATE A SQUARE TOMBOYISH SHAPE.


LIP
M·A·C PRO LIP ERASE IN DIM – TOUCHED ONTO THE LIPS
TO NEUTRALIZE THEIR NATURAL COLOUR.


FACE.
FACE AND BODY FOUNDATION – FOR SHEER COVERAGE.
M·A·C PRO SCULPTING POWDERS IN SCULPT –
TO CONTOUR THE CHEEKBONES.
IRIDESCENT SILVER DUSK LOOSE POWDER – HIGHLIGHTING
THE CHEEKBONES, NOSE AND TOPS OF THE LIPS.
NATHAN

NATHAN JENDEN
“THE LOOK IS A PREP SCHOOL GIRL GONE TO THE BEACH…
1940S JUDY GARLAND TO LADY GAGA.”
MAKKY


EYE – TWO LOOKS:
EYE 1
PENULTIMATE EYELINER IN RAPIDBLACK –
LINING THE TOP LASH LINE IN AN EXTENDED WINGED OUT SHAPE.
EYE 2
M·A·C PRO PURE WHITE CHROMAGRAPHIC PENCIL –
LINING THE TOP LASHLINE IN AN EXTENDED WINGED OUT SHAPE.
M·A·C PRO SILVER METAL PIGMENT – PRESSED INTO THE WHITE PENCIL
TO CREATE A SILVER LINE.


LIP
CHERRY LIP PENCIL – LINING THE LIPS.
M·A·C PRO CRIMSON LIPMIX – TO FILL IN THE LIPS.
M·A·C PRO REFLECTS RED GLITTER – PRESSED ONTO THE LIPMIX.


FACE
STUDIO SCULPT FOUNDATION – FOR PERFECTED SKIN.
GOLD DEPOSIT MINERALIZE SKINFINISH – AS A HIGHLIGHT
ON THE CHEEKBONES.

JEREMY SCOTT
“A COLLAGE OF CHAOS – MARILYN MONROE MEETS
DEBBIE HARRY AT CBGB’S.”
VAL GARLAND


EYE
M·A·C PRO PURE WHITE PAINTSTICK – BLENDED FROM LASHLINE
TO BROW AND SET WITH A LAYER OF GESSO EYE SHADOW.
M·A·C PRO BROWN CREAM LINER – BUFFED THROUGH THE
CREASE OF THE EYELIDS TO CREATE DEPTH.
IRIDESCENT SILVER DUSK LOOSE POWDER – BRUSHED OVER
BLOCKED OUT BROWS TO CREATE THE ILLUSION OF A HIGHLIGHTED BROW BONE.
M·A·C PRO BLACK OR BROWN CREAMLINER – DRAWN ABOVE
BLOCKED OUT BROWS TO CREATE DEFINED, ARCHED BROWS.
M·A·C PRO BLACK CREAMLINER – DRAWN IN A DRAMATIC,
EXTENDED, WINGED OUT SHAPE ALONG THE UPPER LASH LINE.
7 LASHES – APPLIED TO THE LASH LINES AS A BASE.
3 LASHES – CUT IN HALF AND APPLIED TO THE OUTER CORNERS
OF THE EYES FOR EXTRA DRAMA.
M·A·C PRO LASH BLACK – BLENDED THROUGH THE FALSE LASHES.


LIP
CHERRY LIP PENCIL – LINING THE LIPS PAST THE OUTER CORNERS
OF THE MOUTH INTO AN EXAGGERATED CARTOON LIKE SHAPE.
M·A·C PRO BASIC RED MICRONIZED AIRBRUSH – PAINTED ON MANUALLY
TO FILL IN THE LIPS.
M·A·C PRO BASIC RED PIGMENT – PATTED ON TOP FOR A SUPER MATTE
MOUTH CREATING A “DRAWN ON” EFFECT.


FACE
STUDIO SCULPT FOUNDATION – FOR PERFECTED SKIN.
M·A·C PRO MID-TONE SEPIA CREAM COLOUR BASE – TO CONTOUR
AND SCULPT THE CHEEKBONES.

NYFW September 14th - MAC Cosmetics Face Charts

RODARTE
“IT’S ALL ABOUT NORTHERN CALIFORNIA, GIANT REDWOODS AND
THE GOLD RUSH OF 1849.”
JAMES KALIARDOS


EYE
NC42 SELECT COVER-UP CONCEALER – BLENDED ONTO THE EYELIDS.
36 LASH – PAINTED WITH GOLDEN LEMON PIGMENT
AND APPLIED TO THE LASH LINE.
GOLDEN LEMON PIGMENT – BLENDED ONTO THE
INNER AND OUTER CORNERS OF THE EYES.
I GET NO KICK EYE KOHL (AVAILABLE 2011) – DRAWN ONTO
THE WATERLINES OF THE EYES.


LIP
M·A·C PRO LIP ERASE IN DIM – APPLIED AS A BASE TO THE LIPS.
M·A·C PRO ROSE GOLD METAL PIGMENT AND
GOLDEN LEMON PIGMENT – LAYERED OVER LIP ERASE FOR GOLDEN LIPS.


FACE.
STUDIO SCULPT FOUNDATION – TO PERFECT THE SKIN
WITH AN EGGSHELL FINISH.
PREP + PRIME TRANSPARENT FINISHING POWDER –
BRUSHED DOWN THE T-ZONE.
QUARRY EYE SHADOW – CONTOURING THE CHEEKBONES AND TEMPLES.
PEARL CREAM COLOUR BASE – HIGH ON THE CHEEKBONES.

NYFW September 13th - MAC Cosmetics Face Charts

RAD HOURANI
“IT’S ALL ABOUT FRESH, GROOMED SKIN, LIKE THE GIRLS
JUST STEPPED OUT OF THE SHOWER.”
HUNG VANGO


EYE
BRULE EYE SHADOW – LIGHTLY DUSTED ONTO THE EYELIDS
FROM LASH LINES TO BROWS.


LIP
DIM LIP ERASE – LIGHTLY PATTED ONTO THE LIPS
TO GENTLY TAKE SOME OF THE COLOUR DOWN.


FACE
STUDIO MOISTURE FIX – TO MOISTURIZE THE SKIN.
STUDIO SCULPT FOUNDATION – FOR FLAWLESS SKIN.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO MINIMIZE SHINE IN THE T-ZONE.
HUSH CREAM COLOUR BASE – APPLIED AS A HIGHLIGHT
ON THE CHEEKBONES.

MONIQUE LHUILLIER
“IT’S A 1950S AUDREY HEPBURN LOOK WITH AN AERODYNAMIC
BEAUTIFUL EYE LINER. VERY HAUTE COUTURE AND RED CARPET,
SLIGHTLY DEBUTANT WITH GILDED LILACS ON THE EYE LID,
LINER AND A DELICATE SOFT, PINK GLOSSED LIP.”
VAL GARLAND


EYE
DIGIT AND VELLUM EYE SHADOWS – LAYERED ONTO THE EYELIDS.
CRYSTAL EYE SHADOW – THROUGH THE CREASE OF THE EYELIDS
WITH A LAYER OF IDOL EYES EYE SHADOW APPLIED WET ON TOP.
WOODWINKED EYE SHADOW – PLACED ON THE INNER CORNERS
OF THE EYELIDS.
BLACKTRACK FLUIDLINE – LINING THE EYES IN A
WINGED OUT SHAPE.
41 LASHES – CUT IN HALF AND APPLIED TO THE
OUTER CORNERS OF THE EYES.


LIP
VIVA GLAM GAGA LIPGLASS – PATTED ONTO THE LIPS.


FACE
FACE AND BODY FOUNDATION – APPLIED AS A BASE.
BAMBOO CREAM COLOUR BASE – BLENDED ONTO THE CHEEKS.
SHELL CREAM COLOUR BASE – TO HIGHLIGHT THE CHEEKBONES.

CAROLINA HERRERA
“THE INSPIRATION WAS TRADITIONAL KOREAN COSTUME, FLORAL
PRINTS OR PHOTOGRAPHS OF FLOWERS WHICH LEAD US TO
CREATE A BRICK COLOURED EYE.”
DIANE KENDAL


EYE
BRICK LIP PENCIL – BLENDED FROM THE LASHLINE TO THE
CREASE OF THE EYELIDS, DIFFUSED OUT TOWARD THE OUTER
CORNERS OF THE EYES.
ANTIQUED EYE SHADOW – TAPPED ON TOP OF THE DIFFUSED PENCIL
TO EXTEND THE SHAPE OF THE EYE IN A HORIZONTAL DIRECTION.
DIVA LIPSTICK – ADDED TO THE INNER AND OUTER CREASE OF THE
EYELIDS FOR SOFT DEFINITION.
BLACK HAUTE AND NAUGHTY MASCARA – APPLIED TO HEAVILY
CURLED LASHES.


LIP
SUGAR RIMMED DAZZLEGLASS – APPLIED WITH A 231 BRUSH.


FACE
STUDIO FINISH CONCEALER – APPLIED WHERE NEEDED.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO MINIMIZE SHINE IN THE T-ZONE.
PINCH ’O PEACH POWDER BLUSH – ADDED TO THE APPLES OF THE
CHEEKS, COMPLETELY DIFFUSED OUT IN A SUNBURST EFFECT.
DONNA

DONNA KARAN
“THE INSPIRATION FOR THE LOOK WAS 1930S PHOTOGRAPHS –
A COMBINATION OF BRONZE & GOLD ON THE EYES WITH
A VERY MATTE SKIN.”
CHARLOTTE TILBURY


EYE
INDIANWOOD PAINT POT – BUFFED OVER THE EYELIDS
UP THROUGH THE CREASE AND ALONG THE
LOWER LASH LINES IN A 1930S SHAPE.
M·A·C PRO GOLD PIGMENT – BRUSHED THROUGH
THE CREASE OF THE EYELIDS.
M·A·C PRO GLOSS TEXTURE – PATTED OVER THE EYELIDS.


LIP
M·A·C PRO LIP ERASE IN DIM – TOUCHED ONTO THE LIPS.


FACE
FACE AND BODY FOUNDATION – APPLIED AS A SHEER BASE.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO MINIMIZE SHINE IN THE T-ZONE.