A/W '10 MAC Cosmetics Face Charts February 13th

MAC addicts, here are more face charts for you to try out from NYFW February 13th...

Eyes:
Studio Sculpt Concealer – applied over the eyelid
Set Powder in Invisible – powdered over the
eye area to set concealer
Pigment in With Legal – swept over the concealed eyelid from
lash to brow and in the inner eye corner
Irid escent Powder in Silver Dusk – lightly applied to the inner
eye corner and under the brow bone
Studio Fix Lash – applied to top and bottom lash
FACE :
Studio Sculpt SPF Foundation– applied all over the face
Set Powder in Invisible – brushed over the skin to
set the foundation for a matte finish
Irid escent Powder in Silver Dusk – light ly brushed on cheekbones
Lip:
Lip Pencil in Currant – lined around the natural shape
of the mouth , for perfect lip definition
Lipstick in Kittenish – applied all over lip with a M·A·C 242 Brush
Mineralize Eye shadow Duo in My Dark Magic – lightly applied
over lipstick with fingertips



Eyes:
Eye Shadow in Soba – lightly washed over the eyelid
Gloss Texture - layered onto the eye shadow to add shine
FACE :
Face and Body Foundation – lightly buffed onto the entire face
Prep + Prime TRANSPARENT FINISHING POWDER – Brushed across the entire face
to set the foundation for matte skin
M·A·C Pro Sculpting Powder in Sculpt– lightly brushed onto
the cheekbones to contour
Pigment in Vanilla and White (Pro On ly) – layered over the sculpt powder
to the cheekbones to hi ghlight
Strobe Liquid – dabbed onto the cheekbones and above the eye to highlight the skin
Lip:
Lip Pencil in Ch erry – lined off the natural shape of th e lip
and filled in for a slightly rounder mouth
Pigment in Red – layered onto the lip pencil to matt e the lip


Eyes:
Face and Body Foundation – applied to the eyelids using fingertips
M·A·C Pro Set Powder in Invisible – brushed over the eyelid
after using Face and Body Foundation
Iridescent Powder in Silver Dusk – lightly brush edall over
eye area using a M·A·C 224 Brush
FACE :
Face and Body Foundati on – applied to the face and neck
usin g fingertips to give a matte, light coverage
M·A·C Pro Sculpting Powder in Shadowy – lightly brushed below the
cheekbone using a M·A·C 116 Brush to contour the cheeks
M·A·C Pro Set Powder in Invisible: lightly applied to entire face to set
Lip:
Lip Pencil in Cherry – lined around the edges of the lip
Matt e Lipsti ck in Ruby Woo – dabbed over the entire lip for full coverage
M·A·C Pro Glitter in Turquoise – gently brush ed over the entire lip with a wet brush
M·A·C Pro Glitter in 3D Silver – applied to the centre of the lip



Eyes:
Eye Kohl Pencil in Smolder – penciled along upper
lash line and smudged into eyelid
Lipglass in Fancy Cat (Available Fall 2010) – applied and smudged
into the eyelid up to the brow bone
Lipstick in Kittenish (Available Fall 2010) – smudged under the eye as liner
M·A·C Pro Studio Fix Mascara in Black Fix – applied to curled lashes
FACE :
Careblends Essential Oils – massaged into the face for dewy skin
Studio Sculpt Foundation – applied to the entire face for full coverage
Blot Powder Loose – to set the foundation for a smooth finish
Lip:
Lip Conditioner SPF 15 – blotted down and covered
with foundation to give a nude, minimal lip

Eyes:
M·A·C Pro Cream Colour Bas e in Mid-tone Sepia and Paint Stick in Deep Brown
– blended together and applied to the eyelid and under the eye
Studio Finish Skin Corrector in Terra cotta – dabbed into the crease of
the eyelid and under the lower lash line
Gloss Texture – layered over cream colour base all over the eyelid
Chromaline in Black – lining the upper lash line and the outer corner of the eye
FACE :
Select Moisturecover Concealer – applied where needed
Lip:
Left bare

NYFW September 11th - MAC Cosmetics Face Charts

ALTUZARRA
“THE COLLECTION IS VERY STRONG, TRIBAL, AND AMAZON
SO WE DECIDED TO GO FOR NUDE, MATTE SKIN AND
STRONG CONTOURS TO CREATE A TRUE DYNAMIC.”
TOM PECHEUX

EYE
M·A·C PRO SCULPTING POWDERS IN SHADESTER,
SCULPT AND DEFINITIVE – APPLIED WITH A 222 BRUSH
TO SCULPT FROM THE INNER CORNER
OF THE EYES UP TO THE BROW BONES.

LIP
M·A·C PRO SCULPTING POWDERS IN SHADESTER,
SCULPT AND DEFINITIVE – PATTED ONTO THE LIPS WITH
A 242 BRUSH FOR A NUDE, MATTE LIP.

FACE
CARE BLENDS ESSENTIAL OILS MIXED WITH
FACE AND BODY FOUNDATION – TO PERFECT THE SKIN.
MINERALIZE SKINFINISH NATURAL MIXED WITH
PREP + PRIME TRANSPARENT POWDER – TO SET THE FOUNDATION.
M·A·C PRO SCULPTING POWDERS IN SHADESTER, SCULPT
AND DEFINITIVE – TO CONTOUR THE CHEEKS AND TEMPLES AND NECK.

PRABAL GURUNG
“THE COLLECTION IS VERY RICH AND FULL ON, ALL ABOUT THE
ARCHITECTURE OF THE CLOTHES TO THE SILHOUETTE SO THE FACE
IS PURE, SOFT BUT GRAPHIC – PLAYING WITH TEXTURES IN WHITE.”
TOM PECHEUX

EYE
M·A·C PRO PURE WHITE PAINTSTICK –
BLENDED ON THE TO EYELIDS AS A BASE.
GESSO EYE SHADOW LAYERED WITH FASCINATING EYE KOHL –
TO CREATE A “MATTE WHITE LID.”

LIP
M·A·C PRO LIP ERASE IN DIM –
TO MAKE LIPS THE SAME BASE COLOUR.
SUPREMELY CONFIDENT SHEEN SUPREME LIPSTICK –
LAYERED OVER LIP ERASE TO GIVE A “TRUE SENSUALITY
TO THE LIPS.”

FACE
SELECT MOISTURECOVER CONCEALER – APPLIED AS NEEDED.
MINERALIZE SKINFINISH NATURAL – LIGHTLY APPLIED TO
EVEN OUT THE SKIN TONE.
SILVER DUSK IRIDESCENT POWDER LOOSE, PINK OPAL AND WHITE
PIGMENTS – WRAPPED AROUND THE TEMPLES FROM JUST ABOVE
BROW ARCH TO JUST UNDER THE PUPILS AND ON THE CHEEKBONES
TO CREATE A WHITE OPALESCENT GLOW. THIS ALSO SOFTLY
SCULPTED THE FACE AND REPLACED THE DIMENSION LOST WHEN
FOUNDATION WAS APPLIED.

ALEXANDER WANG
“THE LOOK IS ALL ABOUT THE DOWNTOWN ART SCENE – THE HAIR
IS QUITE COMPLEX SO WE DECIDED TO KEEP THE FACE
REALLY FRESH AND YOUNG.”
DIANE KENDAL

EYE
BROWS WERE BLEACHED.

LIP
LIP CONDITIONER – PATTED ONTO LIPS AND BLOTTED.

FACE
STUDIO MOISTURE FIX SPF 15V –
MASSAGED INTO THE FACE FOR FRESH MOISTURIZED SKIN.
SELECT MOISTURE COVER CONCEALER –
APPLIED WHERE NEEDED TO UNDER EYES OR IMPERFECTIONS.