A/W '10 MAC Cosmetics Face Charts February 15th

Eyes:
Eye Pencil in Smolder - applied and smudged around the
waterline of the eye using a M·A·C 239 Brush
Studio Fix Lash Mascara in Black Fix - applied to top and bottom lashes
Creme Liner in Black and Mixing Medium Water Base - placed horizontal
strokes in the crease of the eyelid and the same below
the eye with stronger strokes in the centre
FACE:
Face and Body Foundation - applied to entire face
Studio Finish Skin Corrector - applied where needed
Cream Colour Base in Shell - applied to the centre of the cheekbone
Lip:
Lipstick in Hipster - applied all over the lips and blotted
Lipstick in DuBonnet - layered softly over Hipster onto the centre of the lip



Eyes:
Lip Pencil in Nightmoth - penciled and blended along
the rim of the eye and the crease of the eyelid
M·A·C Pro Eye Shadow in Indian Ink - washed across the crease
of the eyelid and around the upper and lower lash line
Eye Shadow in Vibrant Grape - layered onto the eyelid and crease of the eye
Mineralize Eye Shadow (Duo) in My Dark Magic (Available Fall 2010) - brushed onto
the eyelid and into the crease of the eye
Zoom Mascara in Zoomblack - applied to top and bottom lashes
FACE:
Face and Body Mixing Medium - applied to the entire face
Blot Film - to blot any excess shine
Mineralize Foundation SPF15 - layered over the Mixing Medium
Prep + Prime Transparent Finishing Powder - lightly brushed over
the skin to set the foundation
Lip:
Lipglass in Docile (Available Fall 2010) - applied to the lip




Eyes:
M·A·C Pro Cream Colour Base in Airforce Blue - applied to the crease of the eyelid
Lip Treatment - dabbed onto the eyelid for shine
Eye Kohl in Fascinating and Eye Pencil in Fleshtone - penciled into
the waterline of the eye
FACE:
Face and Body Foundation - applied to the entire face
Select Cover-Up Concealer - applied where needed
Lip Treatment - dabbed along the cheekbone to highlight
Lip:
Lip Pencil in Cherry - lining the lip to give a defined shape to the mouth
Lipstick in Ruby Woo and M·A·C Pro Lipmix in Burgundy
- blended together and applied to the lip



Eyes:
Studio Sculpt SPF 15 Foundation - brushed through the lashes with
a mascara wand to mute the natural colour
FACE:
Fast Response Eye Cream - applied below the eye
to moisturize and refresh the skin
Studio Sculpt SPF 15 Foundation - applied to the skin
to create a flawless matte finish
Prep + Prime Transparent Finishing Powder - brushed over
the skin to set the foundation
Lip:
Lip Erase in Dim or Pale - applied to the lip to mute the natural colour



Eyes:
Eye Kohl in Teddy - penciled into the inner corner of the eye
Paint Pot in Quite Natural - applied to the eyelid and blended up into the brow
Zoom Fast Masca ra in Zoomblac k - brushed through top and bottom lashes
FACE:
Full Coverage Foundation and Strobe Cream - blended to gether
and applied to the entire face for a sheer finish
Paint Pot in Quite Natural and Blushcreme in Brit Wit
- washed over the cheekbone to contour
M·A·C Pro Cream Colour Bae in Madly Magenta - brushed through
the cheekbones and temple to highlight face
Lip:
Lip Penci l in Spice - penci led lightly onto the bottom lip line
and softly blended with the fingertips
Lip Conditioner - dabbed onto the lips to moisturize
Lipglass in Jealous - applied to the lip

NYFW September 13th - MAC Cosmetics Face Charts

RAD HOURANI
“IT’S ALL ABOUT FRESH, GROOMED SKIN, LIKE THE GIRLS
JUST STEPPED OUT OF THE SHOWER.”
HUNG VANGO


EYE
BRULE EYE SHADOW – LIGHTLY DUSTED ONTO THE EYELIDS
FROM LASH LINES TO BROWS.


LIP
DIM LIP ERASE – LIGHTLY PATTED ONTO THE LIPS
TO GENTLY TAKE SOME OF THE COLOUR DOWN.


FACE
STUDIO MOISTURE FIX – TO MOISTURIZE THE SKIN.
STUDIO SCULPT FOUNDATION – FOR FLAWLESS SKIN.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO MINIMIZE SHINE IN THE T-ZONE.
HUSH CREAM COLOUR BASE – APPLIED AS A HIGHLIGHT
ON THE CHEEKBONES.

MONIQUE LHUILLIER
“IT’S A 1950S AUDREY HEPBURN LOOK WITH AN AERODYNAMIC
BEAUTIFUL EYE LINER. VERY HAUTE COUTURE AND RED CARPET,
SLIGHTLY DEBUTANT WITH GILDED LILACS ON THE EYE LID,
LINER AND A DELICATE SOFT, PINK GLOSSED LIP.”
VAL GARLAND


EYE
DIGIT AND VELLUM EYE SHADOWS – LAYERED ONTO THE EYELIDS.
CRYSTAL EYE SHADOW – THROUGH THE CREASE OF THE EYELIDS
WITH A LAYER OF IDOL EYES EYE SHADOW APPLIED WET ON TOP.
WOODWINKED EYE SHADOW – PLACED ON THE INNER CORNERS
OF THE EYELIDS.
BLACKTRACK FLUIDLINE – LINING THE EYES IN A
WINGED OUT SHAPE.
41 LASHES – CUT IN HALF AND APPLIED TO THE
OUTER CORNERS OF THE EYES.


LIP
VIVA GLAM GAGA LIPGLASS – PATTED ONTO THE LIPS.


FACE
FACE AND BODY FOUNDATION – APPLIED AS A BASE.
BAMBOO CREAM COLOUR BASE – BLENDED ONTO THE CHEEKS.
SHELL CREAM COLOUR BASE – TO HIGHLIGHT THE CHEEKBONES.

CAROLINA HERRERA
“THE INSPIRATION WAS TRADITIONAL KOREAN COSTUME, FLORAL
PRINTS OR PHOTOGRAPHS OF FLOWERS WHICH LEAD US TO
CREATE A BRICK COLOURED EYE.”
DIANE KENDAL


EYE
BRICK LIP PENCIL – BLENDED FROM THE LASHLINE TO THE
CREASE OF THE EYELIDS, DIFFUSED OUT TOWARD THE OUTER
CORNERS OF THE EYES.
ANTIQUED EYE SHADOW – TAPPED ON TOP OF THE DIFFUSED PENCIL
TO EXTEND THE SHAPE OF THE EYE IN A HORIZONTAL DIRECTION.
DIVA LIPSTICK – ADDED TO THE INNER AND OUTER CREASE OF THE
EYELIDS FOR SOFT DEFINITION.
BLACK HAUTE AND NAUGHTY MASCARA – APPLIED TO HEAVILY
CURLED LASHES.


LIP
SUGAR RIMMED DAZZLEGLASS – APPLIED WITH A 231 BRUSH.


FACE
STUDIO FINISH CONCEALER – APPLIED WHERE NEEDED.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO MINIMIZE SHINE IN THE T-ZONE.
PINCH ’O PEACH POWDER BLUSH – ADDED TO THE APPLES OF THE
CHEEKS, COMPLETELY DIFFUSED OUT IN A SUNBURST EFFECT.
DONNA

DONNA KARAN
“THE INSPIRATION FOR THE LOOK WAS 1930S PHOTOGRAPHS –
A COMBINATION OF BRONZE & GOLD ON THE EYES WITH
A VERY MATTE SKIN.”
CHARLOTTE TILBURY


EYE
INDIANWOOD PAINT POT – BUFFED OVER THE EYELIDS
UP THROUGH THE CREASE AND ALONG THE
LOWER LASH LINES IN A 1930S SHAPE.
M·A·C PRO GOLD PIGMENT – BRUSHED THROUGH
THE CREASE OF THE EYELIDS.
M·A·C PRO GLOSS TEXTURE – PATTED OVER THE EYELIDS.


LIP
M·A·C PRO LIP ERASE IN DIM – TOUCHED ONTO THE LIPS.


FACE
FACE AND BODY FOUNDATION – APPLIED AS A SHEER BASE.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO MINIMIZE SHINE IN THE T-ZONE.