A/W '10 MAC Cosmetics Face Charts February 15th

Eyes:
Eye Pencil in Smolder - applied and smudged around the
waterline of the eye using a M·A·C 239 Brush
Studio Fix Lash Mascara in Black Fix - applied to top and bottom lashes
Creme Liner in Black and Mixing Medium Water Base - placed horizontal
strokes in the crease of the eyelid and the same below
the eye with stronger strokes in the centre
FACE:
Face and Body Foundation - applied to entire face
Studio Finish Skin Corrector - applied where needed
Cream Colour Base in Shell - applied to the centre of the cheekbone
Lip:
Lipstick in Hipster - applied all over the lips and blotted
Lipstick in DuBonnet - layered softly over Hipster onto the centre of the lip



Eyes:
Lip Pencil in Nightmoth - penciled and blended along
the rim of the eye and the crease of the eyelid
M·A·C Pro Eye Shadow in Indian Ink - washed across the crease
of the eyelid and around the upper and lower lash line
Eye Shadow in Vibrant Grape - layered onto the eyelid and crease of the eye
Mineralize Eye Shadow (Duo) in My Dark Magic (Available Fall 2010) - brushed onto
the eyelid and into the crease of the eye
Zoom Mascara in Zoomblack - applied to top and bottom lashes
FACE:
Face and Body Mixing Medium - applied to the entire face
Blot Film - to blot any excess shine
Mineralize Foundation SPF15 - layered over the Mixing Medium
Prep + Prime Transparent Finishing Powder - lightly brushed over
the skin to set the foundation
Lip:
Lipglass in Docile (Available Fall 2010) - applied to the lip




Eyes:
M·A·C Pro Cream Colour Base in Airforce Blue - applied to the crease of the eyelid
Lip Treatment - dabbed onto the eyelid for shine
Eye Kohl in Fascinating and Eye Pencil in Fleshtone - penciled into
the waterline of the eye
FACE:
Face and Body Foundation - applied to the entire face
Select Cover-Up Concealer - applied where needed
Lip Treatment - dabbed along the cheekbone to highlight
Lip:
Lip Pencil in Cherry - lining the lip to give a defined shape to the mouth
Lipstick in Ruby Woo and M·A·C Pro Lipmix in Burgundy
- blended together and applied to the lip



Eyes:
Studio Sculpt SPF 15 Foundation - brushed through the lashes with
a mascara wand to mute the natural colour
FACE:
Fast Response Eye Cream - applied below the eye
to moisturize and refresh the skin
Studio Sculpt SPF 15 Foundation - applied to the skin
to create a flawless matte finish
Prep + Prime Transparent Finishing Powder - brushed over
the skin to set the foundation
Lip:
Lip Erase in Dim or Pale - applied to the lip to mute the natural colour



Eyes:
Eye Kohl in Teddy - penciled into the inner corner of the eye
Paint Pot in Quite Natural - applied to the eyelid and blended up into the brow
Zoom Fast Masca ra in Zoomblac k - brushed through top and bottom lashes
FACE:
Full Coverage Foundation and Strobe Cream - blended to gether
and applied to the entire face for a sheer finish
Paint Pot in Quite Natural and Blushcreme in Brit Wit
- washed over the cheekbone to contour
M·A·C Pro Cream Colour Bae in Madly Magenta - brushed through
the cheekbones and temple to highlight face
Lip:
Lip Penci l in Spice - penci led lightly onto the bottom lip line
and softly blended with the fingertips
Lip Conditioner - dabbed onto the lips to moisturize
Lipglass in Jealous - applied to the lip

DONNA KARAN: Spring NYFW 2011- Raw Sensuality

DONNA KARAN's Spring 2011 at the NYFW, may not have showcased her best usual black , black and black collection, but no one could ever fault with her languid, free flowing line of raw romance. With brown and beige, the conjuring images gave more cheers to a sandy runway, adding charm isolation where Donna Karan sets her women..

Karan's perception of spring is a trousseau travel madness..wrinkled jackets, slip dresses and crinkled charmeuse ready for a swift romantic soiree.

 It's about modern and strong muses with eco- passion, a timely return to the roots of craft in coherence with the environment. Easy elegance with sensuous charm of classic and clean tailoring, is Donna Karan's kind of silhouette.

The dresses in classic cut with little amount of ruche, are cool, comfortable and easy-maintenance. The range also features fluid silks infused with bias rolls, a big departure from her past collections.

 

 

 

NYFW September 13th - MAC Cosmetics Face Charts

RAD HOURANI
“IT’S ALL ABOUT FRESH, GROOMED SKIN, LIKE THE GIRLS
JUST STEPPED OUT OF THE SHOWER.”
HUNG VANGO


EYE
BRULE EYE SHADOW – LIGHTLY DUSTED ONTO THE EYELIDS
FROM LASH LINES TO BROWS.


LIP
DIM LIP ERASE – LIGHTLY PATTED ONTO THE LIPS
TO GENTLY TAKE SOME OF THE COLOUR DOWN.


FACE
STUDIO MOISTURE FIX – TO MOISTURIZE THE SKIN.
STUDIO SCULPT FOUNDATION – FOR FLAWLESS SKIN.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO MINIMIZE SHINE IN THE T-ZONE.
HUSH CREAM COLOUR BASE – APPLIED AS A HIGHLIGHT
ON THE CHEEKBONES.

MONIQUE LHUILLIER
“IT’S A 1950S AUDREY HEPBURN LOOK WITH AN AERODYNAMIC
BEAUTIFUL EYE LINER. VERY HAUTE COUTURE AND RED CARPET,
SLIGHTLY DEBUTANT WITH GILDED LILACS ON THE EYE LID,
LINER AND A DELICATE SOFT, PINK GLOSSED LIP.”
VAL GARLAND


EYE
DIGIT AND VELLUM EYE SHADOWS – LAYERED ONTO THE EYELIDS.
CRYSTAL EYE SHADOW – THROUGH THE CREASE OF THE EYELIDS
WITH A LAYER OF IDOL EYES EYE SHADOW APPLIED WET ON TOP.
WOODWINKED EYE SHADOW – PLACED ON THE INNER CORNERS
OF THE EYELIDS.
BLACKTRACK FLUIDLINE – LINING THE EYES IN A
WINGED OUT SHAPE.
41 LASHES – CUT IN HALF AND APPLIED TO THE
OUTER CORNERS OF THE EYES.


LIP
VIVA GLAM GAGA LIPGLASS – PATTED ONTO THE LIPS.


FACE
FACE AND BODY FOUNDATION – APPLIED AS A BASE.
BAMBOO CREAM COLOUR BASE – BLENDED ONTO THE CHEEKS.
SHELL CREAM COLOUR BASE – TO HIGHLIGHT THE CHEEKBONES.

CAROLINA HERRERA
“THE INSPIRATION WAS TRADITIONAL KOREAN COSTUME, FLORAL
PRINTS OR PHOTOGRAPHS OF FLOWERS WHICH LEAD US TO
CREATE A BRICK COLOURED EYE.”
DIANE KENDAL


EYE
BRICK LIP PENCIL – BLENDED FROM THE LASHLINE TO THE
CREASE OF THE EYELIDS, DIFFUSED OUT TOWARD THE OUTER
CORNERS OF THE EYES.
ANTIQUED EYE SHADOW – TAPPED ON TOP OF THE DIFFUSED PENCIL
TO EXTEND THE SHAPE OF THE EYE IN A HORIZONTAL DIRECTION.
DIVA LIPSTICK – ADDED TO THE INNER AND OUTER CREASE OF THE
EYELIDS FOR SOFT DEFINITION.
BLACK HAUTE AND NAUGHTY MASCARA – APPLIED TO HEAVILY
CURLED LASHES.


LIP
SUGAR RIMMED DAZZLEGLASS – APPLIED WITH A 231 BRUSH.


FACE
STUDIO FINISH CONCEALER – APPLIED WHERE NEEDED.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO MINIMIZE SHINE IN THE T-ZONE.
PINCH ’O PEACH POWDER BLUSH – ADDED TO THE APPLES OF THE
CHEEKS, COMPLETELY DIFFUSED OUT IN A SUNBURST EFFECT.
DONNA

DONNA KARAN
“THE INSPIRATION FOR THE LOOK WAS 1930S PHOTOGRAPHS –
A COMBINATION OF BRONZE & GOLD ON THE EYES WITH
A VERY MATTE SKIN.”
CHARLOTTE TILBURY


EYE
INDIANWOOD PAINT POT – BUFFED OVER THE EYELIDS
UP THROUGH THE CREASE AND ALONG THE
LOWER LASH LINES IN A 1930S SHAPE.
M·A·C PRO GOLD PIGMENT – BRUSHED THROUGH
THE CREASE OF THE EYELIDS.
M·A·C PRO GLOSS TEXTURE – PATTED OVER THE EYELIDS.


LIP
M·A·C PRO LIP ERASE IN DIM – TOUCHED ONTO THE LIPS.


FACE
FACE AND BODY FOUNDATION – APPLIED AS A SHEER BASE.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO MINIMIZE SHINE IN THE T-ZONE.