London Fashion Week - MAC Cosmetics Face Charts February 23rd

Eyes:
Eyeshadow in Copperplate – used on lids and buffed out with a
#217 Brush – blown out and diffused. It’s soft grey and smokey all round
the eye with the emphasis on shading
No Mascara and brows are naturally bushy
FACE :
Face and Body Foundation – used to create incredibly beautiful and glowing skin
Select Moisturecover Concealer – where necessary
Invisible Set Powder – dusted on the centre of nose and eyelids
Mineralize Blush in Dainty – applied to the apples of cheeks
with a 129 Brush – soft and blown out
Lip:
Select Moisturecover Concealer mixed with Pro Lip Erase in Dim and
different shades of pink lipsticks – to warm up the lips. This was adjusted
to suit the skin ton e of each individual girl



Eyes:
On darker skintones:
Chrom aline in White – applied in a slight 50’s shape very precisely on the upper lash
line
Gesso Eye Shadow – wo rked on top of the Chromaline
Eye Brows in Spiked or Stud – to create a strong, bold brow
On lighter skintones:
Water Base Mixing Medium and Pigment in Silver – blended to create
a metallic silver liner, also painted in a slightly 50s shape
FACE :
FACE AND BODY FOUNDATION
Invisible Set Powder – for a very perfect, very matte skin
Iridescent Loose Powder in Golden Bronze – to highlight the cheeks and
the bridge of the nose on darker skin tones
Mineralize Skinfinish in Soft and Gentle – to highlight the cheeks and
bridge of the nose on lighter skintones
Lip:
Lip Pencil in Chestnut – drawn precisely around the mouth and blended inwards
Ebony Eye Pencil – used in place of Chestnut on darker skintones
Pro Paint stick in Black – to fill in the lip



Eyes:
Eye Shadow in Wild by Nature – washed all over the eye lid
Eye Shadow in Fresh Water – blended through the crease
Paint Stick in Blue – dabbed onto the inner corners of the eye,
and along the socket line, before being powdered to set
Eye Shadow in Shag – taken beneath the lower lashes for soft definition
Black Prolash Mascara – applied top and bottom lashes
FACE :
Studio Moisture Fix – a light layer applied to prime the skin
Studio Fix and Face and Body Foundations – applied to the face for well groomed skin
Prep + Prime transparent finishing Pow der – all over “for a really buffed finish that
references the powdery texture I want to keep on the face”
Sculpt Sculpting Powder – under the cheekbones “for a taupe, womanly feel”
Lip:
Blushcreme in Uncommon mixed with Lip Erase in Dim – blended and patted on the mouth
for a “healthily nude, polished lip”

NYFW September 15th - MAC Cosmetics Face Charts

PROENZA SCHOULER
“IT’S A MUTED LOOK WITH TOMBOYISH SQUARE BROWS, A BIT OF
CONTOURING AND A LITTLE NATURAL DISCOLOURATION LEFT UNDER
THE EYES FOR A BIT OF A GRUNGY FEEL.”
DIANE KENDAL


EYE
OMEGA, COQUETTE, OR MYSTERY EYE SHADOW – BRUSHED
THROUGH BROWS ONE SHADE DARKER THAN NATURAL HAIR COLOUR
TO CREATE A SQUARE TOMBOYISH SHAPE.


LIP
M·A·C PRO LIP ERASE IN DIM – TOUCHED ONTO THE LIPS
TO NEUTRALIZE THEIR NATURAL COLOUR.


FACE.
FACE AND BODY FOUNDATION – FOR SHEER COVERAGE.
M·A·C PRO SCULPTING POWDERS IN SCULPT –
TO CONTOUR THE CHEEKBONES.
IRIDESCENT SILVER DUSK LOOSE POWDER – HIGHLIGHTING
THE CHEEKBONES, NOSE AND TOPS OF THE LIPS.
NATHAN

NATHAN JENDEN
“THE LOOK IS A PREP SCHOOL GIRL GONE TO THE BEACH…
1940S JUDY GARLAND TO LADY GAGA.”
MAKKY


EYE – TWO LOOKS:
EYE 1
PENULTIMATE EYELINER IN RAPIDBLACK –
LINING THE TOP LASH LINE IN AN EXTENDED WINGED OUT SHAPE.
EYE 2
M·A·C PRO PURE WHITE CHROMAGRAPHIC PENCIL –
LINING THE TOP LASHLINE IN AN EXTENDED WINGED OUT SHAPE.
M·A·C PRO SILVER METAL PIGMENT – PRESSED INTO THE WHITE PENCIL
TO CREATE A SILVER LINE.


LIP
CHERRY LIP PENCIL – LINING THE LIPS.
M·A·C PRO CRIMSON LIPMIX – TO FILL IN THE LIPS.
M·A·C PRO REFLECTS RED GLITTER – PRESSED ONTO THE LIPMIX.


FACE
STUDIO SCULPT FOUNDATION – FOR PERFECTED SKIN.
GOLD DEPOSIT MINERALIZE SKINFINISH – AS A HIGHLIGHT
ON THE CHEEKBONES.

JEREMY SCOTT
“A COLLAGE OF CHAOS – MARILYN MONROE MEETS
DEBBIE HARRY AT CBGB’S.”
VAL GARLAND


EYE
M·A·C PRO PURE WHITE PAINTSTICK – BLENDED FROM LASHLINE
TO BROW AND SET WITH A LAYER OF GESSO EYE SHADOW.
M·A·C PRO BROWN CREAM LINER – BUFFED THROUGH THE
CREASE OF THE EYELIDS TO CREATE DEPTH.
IRIDESCENT SILVER DUSK LOOSE POWDER – BRUSHED OVER
BLOCKED OUT BROWS TO CREATE THE ILLUSION OF A HIGHLIGHTED BROW BONE.
M·A·C PRO BLACK OR BROWN CREAMLINER – DRAWN ABOVE
BLOCKED OUT BROWS TO CREATE DEFINED, ARCHED BROWS.
M·A·C PRO BLACK CREAMLINER – DRAWN IN A DRAMATIC,
EXTENDED, WINGED OUT SHAPE ALONG THE UPPER LASH LINE.
7 LASHES – APPLIED TO THE LASH LINES AS A BASE.
3 LASHES – CUT IN HALF AND APPLIED TO THE OUTER CORNERS
OF THE EYES FOR EXTRA DRAMA.
M·A·C PRO LASH BLACK – BLENDED THROUGH THE FALSE LASHES.


LIP
CHERRY LIP PENCIL – LINING THE LIPS PAST THE OUTER CORNERS
OF THE MOUTH INTO AN EXAGGERATED CARTOON LIKE SHAPE.
M·A·C PRO BASIC RED MICRONIZED AIRBRUSH – PAINTED ON MANUALLY
TO FILL IN THE LIPS.
M·A·C PRO BASIC RED PIGMENT – PATTED ON TOP FOR A SUPER MATTE
MOUTH CREATING A “DRAWN ON” EFFECT.


FACE
STUDIO SCULPT FOUNDATION – FOR PERFECTED SKIN.
M·A·C PRO MID-TONE SEPIA CREAM COLOUR BASE – TO CONTOUR
AND SCULPT THE CHEEKBONES.