A/W '10 MAC Cosmetics Face Charts February 14th

Eyes:
Pearlglide Intense Liner in Black Line (Available April 2010) – smudged into
the eyelid and the lower lash line
FACE:
Face and Body Foundation – applied to the entire face for a light, sheer finish
Prep + Prime TRANSPARENT FINISHING Powder – lightly brushed over the foundation to set
Powder Blush in Fleur Power, Prism or Mocha – brushed across
the cheekbones to contour
Lip:
Lip Conditioner (Tube) – applied to the lip for moisture




Eyes:
Cream Colour Base in Tint, Dusk (Pro Only) and Fawntastic - applied to
the inner brow corner where needed
Techna kohl Eye Liner in Plank - used to line the lower lash line
FACE:
Full Coverage Foundation and Strobe Cream - blended together and
applied to entire face for a sheer coverage
Lip:
Lipstick in Lady Danger - applied inside the natural
lip line for an angular shape




Eyes:
M·A·C Pro Crème Liner in Black – applied to the eye area, eyelid to brow bone
M·A·C Pro Pigment in Corn Flower – brushed out from the inner eye corner
on the upper lash line using a M·A·C 213 Brush
M·A·C Pro Pigment in Steel Blue – brushed out from the inner eye corner
on the lower lash line using a M·A·C 213 Brush
M·A·C Pro Glitter in 3D Silver – layered over the pigment in the
inner corner of the eye
Zoom Lash Mascara in Zoomblack – copiously applied to the lash
Ey e Kohl in Smolder – to line the lower inner rim of the eye
FACE:
Studio Sculpt Foundation – applied to the entire face,
for natural yet flawless skin
SELECT MoistureCover Concealer – applied where needed
Shading Powder in Sculpt and Lightsweep – lightly brushed along
the cheekbones and temple area
Prep + Prime Transparent Finishing Powder – swept across the skin
to set the foundation for a matte face
Lip:
M·A·C Pro Lip Erase in Dim – applied to the lip



Eyes:
Lipstick in The Prowl (Available Fall 2010) – washed over the eyelid
with a M·A·C 217 Brush for a shiny texture
Lip Conditioner (Tube) – dabbed into the inner corners of the eye to highlight
FACE:
Careblends Essential Oil – massaged into the skin
Mineralize All-Over Lotion and Stud io Moisture Tint Foundation
– blended to gether and applied to the entire face for a dewy skin finish
Lipstick in Kittenish (Available Fall 2010) – dabbed onto the cheeks with
fingers and massaged along the cheekbone
Lip:
Lipstick in Kittenish (Available Fall 2010) – sparingly appllied to
the inner lip with the point of the lipstick

NYFW September 12th - MAC Cometics Face Charts

BEHNAZ SARAFPOUR
“A GIRL ON HOLIDAY IN INDIA, A SERENE, PEACEFUL VACATION.
IT’S SOFT MAKEUP, INSPIRED BY NATURE. THE WAY YOU LOOK WHEN
YOU ARE REALLY RELAXED AND SURROUNDED BY BEAUTIFUL THINGS.”
GORDON ESPINET


EYE
DALLIANCE MEGA METAL SHADOW (AVAILABLE 2011) –
BLENDED ONTO THE LIDS AND ALONG THE LOWER LASH LINE.
I GET NO KICK EYE KOHL (AVAILABLE 2011) –
DRAWN ONTO THE WATERLINES.


LIP
SUPREMELY CONFIDENT SHEEN SUPREME LIPSTICK –
APPLIED TO THE LIPS.


FACE
FACE AND BODY FOUNDATION – FOR SHEER COVERAGE
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO SET FOUNDATION.
GIVE ME SUN! M·A·C BRONZING EVERYDAY (AVAILABLE 2011) –
APPLIED TO THE CHEEKS AND BRUSHED UP FROM THE
BROW BONES OVER THE TEMPLES.

DIANE VON FURSTENBERG
“THE LOOK IS BASED ON ANDY WARHOL’S SILKSCREEN OF
DIANE’S LIPS – ITS AN ICONIC IMAGE FOR DVF.”
JAMES KALIARDOS
EYE
PEARL CREAM COLOUR BASE – TOUCHED ONTO THE CENTERS
OF THE EYELIDS AND THE TEAR DUCTS.
SCULPT AND SHADESTER M·A·C PRO SCULPTING POWDERS –
TO CONTOUR THE CREASE OF THE EYELIDS.


LIP
M·A·C PRO PROCESS MAGENTA CHROMAGRAPHIC PENCIL –
LINING AND FILLING IN THE LIP.
MAGENTA MADNESS PIGMENT – BRUSHED OVER THE PENCIL
FOR A NEON PINK MATTE LIP.


FACE
STUDIO SCULPT FOUNDATION – FOR MATTE PERFECTED SKIN.
MINERALIZE SKINFINISH NATURAL – TO SET FOUNDATION.
SCULPT AND SHADESTER M·A·C PRO SCULPTING POWDERS –
TO CONTOUR THE CHEEKS AND TEMPLES.
PEARL CREAM COLOUR BASE – HIGHLIGHTING THE
CHEEKBONES AND THE CENTER OF THE NOSE.

ERIN FETHERSTON
“THE COLLECTION IS ALL ABOUT A ’70S COCKTAIL PARTY SO THE
LOOK IS GIRL ON HOLIDAY, QUITE FLUSHED AND HOT, JUST OFF THE
BEACH AND PUTTING ON A BIT OF MAKEUP BEFORE THE PARTY.”
LUCIA PICA


EYE
M·A·C GLOSS TEXTURE – PATTED ONTO EYELIDS FOR A SLIGHT
SHEEN.
ZOOM BLACK MASCARA – APPLIED TO TOP AND BOTTOM LASHES.


LIP
SO CHAUD LIPSTICK – PATTED ON, NOT REALLY DEFINED,
FOR MATTE ORANGE LIPS.


FACE
SELECT MOISTURECOVER CONCEALER – APPLIED ONLY
WHERE NEEDED.
M·A·C PRO GLYCERIN SPRAY – TO ACHIEVE THAT “JUST OUT OF THE
SUN” SHEEN ON THE HIGH PLANES OF THE FACE AND CHEEKS.
M·A·C PRO BROWN CREAM COLOUR BASE – BLENDED
INTO THE CHEEKS FOR A NATURAL FLUSH.
CARE BLENDS ESSENTIAL OILS – BUFFED OVER THE CHEEKS
TO ADD TO THE SHEEN.

PREEN
“THE COLORS OF THE MAKEUP ARE INSPIRED BY EGYPT, THE COLORS
OF THE SAND. THE CLOTHES HAVE BEAUTIFUL PALE BLUES AND
LAVENDERS SO WE’RE DOING A LITTLE BLUE ON THE EYE AS WELL.
VERY CATHERINE DENEUVE, BUT SUPER MINIMAL.”
JAMES KALIARDOS


EYE
LITE BRITE CREAMSHADOW (AVAILABLE 2011) –
HIGHLIGHTING THE INNER CORNERS OF THE EYELIDS.
SWELL BABY SHADOW (AVAILABLE 2011) –
BRUSHED THROUGH THE CREASE OF THE EYELIDS.
M·A·C PRO NC15/NW20 CHROMAGRAPHIC PENCIL –
DRAWN ALONG THE WATERLINES.


LIP
SUPER KISSABLE LIP COLOUR – PRESSED ONTO THE LIPS.


FACE
FACE AND BODY FOUNDATION – BLENDED ONTO THE SKIN.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO SET FOUNDATION.
GIVE ME SUN! M·A·C BRONZING EVERYDAY (AVAILABLE 2011) –
BLENDED ONTO CHEEKS.
PEARL CREAM COLOUR BASE – TO HIGHLIGHT THE CHEEKBONES.