Milan Fashion Week - MAC Cosmetics Face Charts February 27th

Eyes:
The girls all wore large black sunglasses and hats so eye makeup was not relevant
FACE:
Mineralize All-Over Lotion – massaged all over the face to prime the skin
Studio Sculpt Concealer – where necessary for very ‘clean’ skin
Lip:
Lip Pencil in Cherry – drawn into the centre of the mouth, with intensity
Lipstick in Russian Red – applied from the tube onto the lip for a bright satin finis h.
A cotton bud was then used to blur the edges gently


Eyes:
Eye Pencil in Lichen – rubbed into the bottom lash line
Opulash in Bad , Bad Black – applied to top and bottom lashes
Brows were groomed
FACE:
Face and Body Foundation – massaged into the skin “for very clean skin”
Mineralize SkinFinish Natural – to set foundation
Lilicent Blushcreme – applied “to warm the cheeks, high on the cheekbones”
Lip:
Lilicent Blushcreme – dabbed on the lips


Eyes:
Eye Pencil in Earthline – around the top and bottom lashes, very blended
Eye Shadow in Copperplate – on top of the liner, blended
Sculpt Powders in Sculpt and Shadowy – in a square shape, superblown out
Opulash Mascara in Bad , Bad Black – top lashes only
No brows – to keep it feeling modern
FACE:
Studio Sculpt Foundation – for a perfect, fresh finish
Sculpting Powder in Shadowy and Sculpt – brushed under cheekbones to contour
Mineralize All-Over Lotion – touched onto the tops of the cheekbones to highlight
Lip:
Lip Conditioner – patted onto lips


Eyes:
Eye Kohl in Smolder – to draw along lash lines, blending out with a
226 angle brus h in a graphic feline pulled out shape
Ey e Shadow in Carbon – blended over the liner
Pigments in Golden Lemon and Vanilla – blended to create a gold highlight
for the brow bone, inner part of the soc ket, inner corners of the eyes
and all around the to p of the cheekbon e in a ‘c’ shape
Opulash Mascara in Bad , Bad Black – applied to lashes
Eye Shadows in Embark or Mystery for brunettes, Omega on blondes – to define
brows in the eyeshadow suitable for their colouring
FACE:
Studio Sculpt Foundation – applied with a 191 brush
Loose Invisible Set Powder – to set the skin, for a matte finish
Sculting Powder in Sculpt – to contour under the cheekbones
Lip:
Lipstick into Pamper (Available Fall 2010) – for a creamy natural
tone but not an erased lip

Emilio Pucci Fall 2010

Peter Dundas, you are a genius. I am in love with almost every single piece in this collection, so sexy.



















To see the rest of the collection, visit style.com.

xoxo

MFW September 25th - MAC Cosmetics Face Charts

EYE
TEDDY EYE KOHL – IN THE LOWER LASHLINE AND ALL OVER THE LIDS UP TO THE SOCKET,
BLENDED WITH A 219 BRUSH.
BLACK FIBRE RICH MASCARA – SEVERAL COATS APPLIED TO TOP AND BOTTOM LASHES.
FLING AND LINGERING BROW PENCILS – FOR A FULLER, SEVENTIES BROW.


LIP
LUST LIPGLASS – SUPER PRECISELY APPLIED.
CHAI LIPGLASS – WORKED ON TOP OF THE LUST, TO CREATE THE PERFECT PEACHY
CARAMEL SHADE.


FACE
SELECT COVER-UP MIXED WITH MOISTURELUSH CREAM – WORKED ALL OVER THE SKIN
“FOR AN EXPENSIVE, BUFFED FINISH.”
MINERALIZE SKINFINISH NATURAL – IN A COLOUR TO MATCH THE GIRLS’ SKIN, TO
SET THE BASE.
MEDIUM DARK, MEDIUM DEEP AND DARK MINERALIZE SKINFINISH NATURAL – MIXED
TOGETHER AND APPLIED AS A CONTOUR.
GOLD PIGMENT – BUFFED HIGH ON THE CHEEKBONES.

EYE
M·A·C PRO STUDIO FINISH SKIN CORRECTOR – MIXED AND APPLIED TO LIDS WITH A 224
BRUSH AND UNDER THE LASHES WITH A 214 BRUSH.
TEDDY EYE KOHL – ON THE OUTER CORNERS OF THE EYES, SMUDGED IN WITH A 219
BRUSH.
LUNA CREAM COLOUR BASE – DABBED ON THE INNER TEAR DUCTS FOR A SPOT OF LIGHT.
POWERSURGE EYE KOHL – ALONG THE LOWER LASH LINE RUBBED IN WITH A FINGER.


LIP
CREAM COLOUR BASE IN BAMBOO, NUDE, HUSH, BRONZE AND PEARL – MIXED FOR THE
INDIVIDUAL, PATTED IN WITH THE FINGERS.


FACE
M·A·C PRO STUDIO FINISH SKIN CORRECTOR – TO BRIGHTEN UNDER THE EYES.
PREP + PRIME TRANSPARENT FINISHING POWDER – ON THE T ZONE.
CREAM COLOUR BASE IN BAMBOO, NUDE, HUSH, BRONZE AND PEARL – A CUSTOMISED
MIX ACCORDING TO THE GIRLS’ INDIVIDUAL SKIN TONE TO GIVE THE CHEEKS AND
TEMPLES DEFINITION “WITHOUT LOOKING MAKE-UPY.”

EYE
GLOSS TEXTURE – ALL OVER THE LIDS, UP TO AND OVER THE BROWS.
LIP
STUDIO FINISH SPF 35 CONCEALER – TO TAKE DOWN THE NATURAL COLOUR OF THE


LIPS.
CLEAR LIPGLASS – SLICKED OVER THE CONCEALER.


FACE
CARE BLENDS ESSENTIAL OILS – MASSAGED INTO THE SKIN.
STUDIO SCULPT FOUNDATION – APPLIED WITH A 190 BRUSH.
MINERALIZE SKINFINISH NATURAL AND INVISIBLE SET POWDER – BUFFED ALL OVER
THE FACE.
PREP + PRIME TRANSPARENT FINISHING POWDER – POLISHED OVER THE SKIN WITH
A POWDER PUFF.
BONE BEIGE SCULPTING POWDER PRO PALETTE – TO SHADOW UNDER
THE CHEEKBONES.
NC15/NW20 CHROMAGRAPHIC PENCIL – TO ELIMINATE ANY REDNESS IN THE WATERLINE.